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If you've been around Dance Club Podcast for a while, you're probably laughing right now.
Because yes... I changed the cover again.
At this point, I think I've redesigned this thing more times than I can count.
But this one feels different.
Over the past year I've been building songs, podcasts, websites, videos, and a bunch of ideas behind the scenes. Eventually I realized they all needed to feel connected.
So if you're seeing a TV-headed guy around here, that's me.
Don't worry though.
I'm still the same TOSHI TYLER.
Doing what I love: finding music, making mixes, writing songs, and sharing stories.
Just showing up in a different way.
Thanks for being part of this crazy ride.
Sometimes all it takes is one late night download session. EP311 leans into brand new club finds, playful vocal house, disco grooves, and fresh Beatport discoveries that were too good to leave sitting in the crate. Sharing Lo...
Bright pop hooks, vocal house pressure, and nonstop crossover club motion run through this entire set. Stay A Little Longer opens with uplifting energy before WHERE IS MY HUSBAND?! pushes things sharper and darker into late-n...
This set opens with a statement. Runway sets the tone immediately, bold and direct, before I Feel So Free lifts the energy into motion and carries the momentum forward. From there, the mix rolls forward with vocal house press...
This set leans into pure EDM pop energy where vocals carry the emotion and the drops keep pushing forward. Big names, familiar hooks, and club-ready builds all stacked into a continuous flow that never really settles. Since J...
Built as a continuous flow, this set blends tracks across transitions so the energy never resets. TwoSlice, Johan S, and Dario Nunez set the tone early, while Eats Everything and Dusky bring subtle lift without breaking the g...
Rolling basslines drive the entire set while the groove stays locked from start to finish. Tech house pressure builds without overreaching, keeping everything in motion but never rushing. Familiar energy runs underneath, but ...
